Matt of WordPress: Blogs Dead? No.

Found this writeup of a conversation between Andrew Keen and Matt Mullenweg via Matt’s blog (so I assume he endorses this quote):

“Blogs will become aggregation points,” the shamefully youthful, soft-spoken Mullenweg explained, as he mapped out the future of blogging for me between bites of Dutch smoked salmon. “They will become our personal hub. Places where we store all our personal media content such as our flickr photos and Twitter posts.”

That’s a vision we buy into at Vodpod.

When we launched Vodpod 28 months ago, we started by offering cool, simple widgets that let you put your favorite videos in an interactive gallery on your blog.  We’ve expanded the array of tools for bloggers since then; some bloggers have built entire sites using our API.

We’re big believers in both blogs, and bloggers.  If they were stocks, we’d be long. That hasn’t changed, our belief hasn’t wavered these past two years, despite the hype give to other platforms.

We have some very interesting things up our sleeves for the blogging community. Stay tuned.

Fan Note

I don’t know her, but I am happy to see Caterina Fake is blogging again. She writes intelligent, interesting posts, particularly if you are a practitioner of the web arts.

I stumbled upon her blog in late 2004, when I developed a mild obsession with flickr (and last.fm), and I promptly added her blog to my feed reader. Seems like she stopped posting a while back, maybe shortly after Flickr was bought by Yahoo!  Start by reading her post today (and the related post from 2003).

Bounty of the Internet

This is the kind of blog I love to find, and the raison d’etre of the medium as far as I am concerned.

It’s called “Shoefiti” and dedicated to documenting — both in words from the collective community and on google maps in a great mash-up –  the urban phenomenon of shoes dangling over powerlines and telephone wires.

NB: I stumbled on this site after doing a Google search on “meaning of tennis shoes hanging on telephone wires.” It was result #1. Yeah, Google!

Of course, no definitive answer is provided (maybe, there isn’t just one?) but some fun urban legends recounted. Check it out.

Quick Colophon

Tips and tricks from the community of bloggers are helpful, so here are mine for the moment.

Obviously, I publish on wordpress.com here, but also worth noting I maintain a typepad blog here. Those are my publishing tools, they work fine for me, I haven’t so far felt compelled to run a full stack of blogging software on my own. Yet. I prefer in some ways the simplicity and stability of wordpress, but typepad has a some additional flexibilty (in terms of putting little html nuggets into sidebars, that’s fun) and so I’ll continue to use and experiment with both, from time to time.

As far as html nuggets, there are a few I like. The last.fm badges on my typepad blog; I think they provide a great clue as to how we’ll use services like that to build out our digital identities on the net, in our blogs and through services like MySpace (post coming on that shortly). I also like the idea of chatango and flickr badges, but confess I don’t really use either very much.

Most importantly, my writing tool. I type these words on the Performancing Firefox extension. I really like it as a tool, I’ve played with ecto, but in the end this works fine and its free.

China, Blogging, Censorship

Rebecca MacKinnon, Dave Weinberger and Robert Scoble provide a great public service today. MacKinnon first and most importantly with her post on Michael Anti (Zhao Jing), and Weinberger and Scoble with their follow posts to bring the issue more public attention (I saw it first on Weinberger this morning, and then again on scoble through memeorandum, leading ultimately to MacKinnon). These posts are evidence of how blogs can actually be good and useful and important (I’ve been a skeptic in the past; posts about important issues, written with authority and passion, like these three cause me to revisit that skepticism).

We don’t know all of the specifics yet about this case, but I think the latter half of MacKinnon’s post about her tests of Chinese language blogging tools is as troubling as this specific report about Michael Anti’s blog. I wrote last fall about this issue more broadly, and have been surprised there was less reaction to Yahoo’s actions last fall (and other companies, like Cisco, I might add).

I have some limited personal experience and opinion to bring to the dialog. When I headed up Real’s international consumer business in 2002-04, I travelled often to China, and spent a lot of time talking with friends and colleagues there about the potential censorship of our services (it was clear the Chinese authorities would not let us bring in streams from CNN and BBC, for example).

Whenever I broached the censorship topic, my young Chinese friends would tease me about my paternalistic ways, and never hesitated to remind me about my own government’s alleged human rights abuses (our captives at Guantanamo Bay being exhibit A at the time). They would also tell me how it was easy to find Tianammen Square massacre video, or other anti-government video, on the Internet (none was so brazen as to actually show me), and not to worry so much about censorship. These were smart, thoughtful, independent, well-educated people, some of them “Sea Turtles” — American citizens either Chinese born or of Chinese descent, returning to China — who lived there full time and just didn’t seem as worried as I was about the issue.

In the end, I didn’t have to confront the ethical and moral issues personally — I was let off the hook. Real decided not to invest as much in our efforts there as I wanted at that time, and the things we looked at were in music and games. It would be easy for me now to claim I would have made the right decision; I personally felt the powerful lure of that market, and understand why western firms are so intent on getting a beachhead there.

But ultimately, I do believe there are universal principles and human rights at stake, and freedom of speech is without a doubt one of them. While I personally understand the lure of the Chinese market, and appreciate the advice from my friends there not to behave paternalistically towards them, it’s just wrong for us to use digital tools, technologies, and inventions we’ve created to help the Chinese government censor speech of individuals, especially political speech. We have export restrictions on many technologies, including most importantly armaments. Why not also make it illegal to export technologies that enable governments to censor the speech of their citizens?

I “get” that others will fill the void (perhaps Europeans, ever willing to court the Chinese, perhaps other Asian countries, perhaps even local Chinese companies). But isn’t this an issue where we should be on the side of the people (generally, as a people and government), and not on the side of shareholders of Cisco, MSFT, YHOO, and maybe GOOG?

Last.fm, My Favorite Service of the Past 18 Months

It wasn’t until after I left full time work at Real in July 2004 that I (ironically) began to get re-connected with the web. In my final years at Real, because I spent so much time working on our own web services, I had neither the time nor energy to explore other folks’. Plus, after nearly a dozen years in digital media, I had gotten sick of the internet, my computer, my mobile phone, my iPod, my digital life. I wanted, and was ready, to unplug.
Which I did for about three months. By October 2004, I was back on the Net. First, to follow in excruciating detail the election from London, followed by a gradual re-immersion back into the world of technology. I dived back in because, well, I was refreshed after some time away. But more importantly, I was excited about a bunch of new services like flickr, del.icio.us, and rss feed readers like bloglines. These are now hailed as canonical “web 2.0″ offerings, but I wanted to give a shout out to my favorite, one that seems to get less attention.
That would be Last.FM (powered by sister service, audioscrobber). More than any other service launched the past few years, theirs has had a real impact on how I consume, and enjoy, media. In this case, music. For those of you who haven’t tried the service, there are two essential components: Audioscrobbler, a plug-in for your jukebox that tracks what you listen to in iTunes, WMP, WinAmp etc. The second is Last.fm, which hangs a bunch of useful services off of your listening habits as tracked by the audioscrobbler plug-in.

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Why Blog? Part II

When I started this blog at the beginning of the year, I wrote an initial post trying to answer this question.

Now that the experiment — no, market research, really — has been going some eight months, I thought it might be a good time to revisit the question.

First thought: it is harder work, and takes more time, than I would have guessed at the beginning. Even trying to write in the more colloquial, conversational, and less rigorous form takes time and effort. And for what? And why? I am not sure I can answer those questions, and for me personally, I do not see any real, tangible gain — at least at this point — that outweighs the burden of the work. And I write that as someone who genuinely likes to write.

Second thought: as a reader, as I have noted in other posts, I find a very large portion of the blogs that I read incredibly unsatisfying. On the positive side, the trade blogs (particularly in digital media) are very, very useful. Particularly the offhand gossip about start-ups and watching meme trends, both of which make competitive research as I start my new venture much easier, and faster. But most of the rest, including the top blogs as proclaimed by technorati and others, I find increasingly tedious and useless.

One cannot extrapolate a market trend from a purely individual perspective, but I have wondered if these views are shared by others, and if so, what this portends for blogging and "participatory media" generally. It all reminds me of a previous bubble which came to nought in 1998-1999, when we thought self-publishing sites like Goecities and the Globe and Tripod and Angelfire would change the dynamic of the web, when of course they didn’t.

It also reminds me of Real circa 1997-99. We were thrilled by the emergence of hundreds of thousands of programmers forming our "long tail" — audio and video publishers rushing to the Net, creating or re-purposing a hugely diverse schmorgasborg of multimedia programming. That excitement gave way in 2000 to the hard realities of life and business; why would these folks continue to create or re-purpose that programming if it took work, and didn’t pay dividends or generate revenues.

I think blogging and various forms of participatory media will continue to exist, for sure; the question is how big a force it will be in the end. I think, ultimately, it will come down to money. For me, as there isn’t money or other value to be gained, I probably will end this experiment in blogging for a while. Too many other things to do!

Only from the MSM

The blogosphere — especially those found in the right wing, pro-Iraq war longitudes — was full of lots of sound and fury about the how the MSM and the "liberal media" were using the 2000th death in Iraq as a propaganda tool. Michelle Malkin, whose body has clearly been inhabited by Joe McCarthy, was particularly hysterical.

Well, lo and behold, where did I find the most provocative and surprising analysis of this milestone? On the New York Times, natch!

“Talent Will Out”

Or will it?

The "talent will out" claim was made by Barry Diller, at the Web 2.0 conference two weeks ago. (Emily Litella NB: some have written up his remarks at "talent wins out." I am 99% sure I heard him say "talent will out" or "talent always outs." I haven’t found a video or audio clip to confirm either way, but the "talent will out" interpretation is more consistent with his subsequent remarks. It’s a nuanced point, but an important distinction.)

Diller made this comment in response to a question from Battelle about Newscorp’s acquisition of MySpace, and whether there would be a future for "prosumer or user-generated content." Diller said he thought there was a limited amount of talent in the world, and that it was unlikely internet-based platforms such as MySpace would help us to discover a heretofore hidden respository of creative geniuses. For this view, he was widely excoriated by the blogging world and Web 2.0 priesthood as a relic, a media mogul who doesn’t get it, a Web 1.0 dinosaur.

I think Diller is right about the likely outcome, but wrong in his reasoning.   Unlike Diller, I would argue there is lots of talent in the world. The issue is that there is a very small pool of talented people who also possess the necessary ambition, time, energy and will to bring their talent to a wider public. And that’s not likely to change, even with these new platforms that make it easier for all of us to publish our work, and put our talent on display.

There are common-sense ways to prove this thesis. Start with blogging.  Here is a new medium that should have liberated the masses of talented writers out there waiting to be discovered. But despite the current hypefest around blogging and the near-religious belief by some bloggers that they are poised to topple the grandees of the print media, most blogs are utter crap. None have ever moved or affected me like the best of works in print. Where are these great new talents unleashed by WordPress, Blogger and TypePad?

This isn’t to say blogs are unimportant, and won’t make a huge impact on the media landscape. They are and they will, but for reasons that have absolutely nothing to do with the talent of individual bloggers, and a lot more to do with the wisdom of crowds; getting access to specific information about particular niches; and as a democratic check point to other, more hierarchical forms of media.

There is a second common sense way to prove the thesis. Think about the most talented friends you have. If they are great writers or humorists, are they blogging? If they are blogging, are they putting their best material online? If they make video or audio programming, are they putting that online? Are they even likely to do so?

My personal experience here is that my most talented friends aren’t putting their stuff online and won’t anytime soon, for one of two reaons. Some won’t because, while they do have ambition and will to channel their talent, they are putting their best work into creating books, or films, or radio shows; all mediums that are about showcasing talent (a follow point on that next graph). Others won’t because, while they have talent, they just have too much else going on in life, and insufficient ambition and will to use their talents to create something for public consumption. Their talent is channeled into the funny repertoire over dinnner, the occasional great e-mail, or something else wonderful but ephemeral and made just for friends and family.

There is another argument one can make why these new online platforms won’t suddenly lead to the discovery of new talent; and that is that they do not make great homes for talented people or the works they produce. I know, that’s heresy. But listen: A truly talented person with will and ambition and ego to make his or her talent public wants to tell us something in a pure, unadulterated, uninterrupted way. Where they, the talent, speak to us, the member of the audience. This has been true for thousands of years.

But as many others have noted, ad nauseam and better than I, the online medium is not at all about that. It’s about conversation. Participation. Remixing. Democratization. It’s about us talking to us. For all the many good things that come out of this new, collective medium, I am not sure it makes the best home for talented  people, and their works. There are and remain other media that remain better suited for that: the short story, the novel, the film, the interview show, the essay to name but a few. (Oh, and digitization of those things and distribution online is just that — distribution, not a new medium).

The point of all this is that the cheerleaders and operators of these new platforms should stop being so defensive when folks like Diller say it’s not likely they’ll become showcases for great, undiscovered talents. He’s right. Concentrate on the other things that the medium is good for — its ability to foster new forms of conversation; to allow us to find and to share information about specific things more efficiently than ever before; and to connect us and bind us together in new ways that harness our collective talents.

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